BOOKS
Supernatural horror. Occult action. Southern gothic nightmares.
THE EXTERMINATOR
Hudson Dubois is a third-generation Exterminator, the man you call when even the cops look away.
In the heat-warped parishes of Louisiana, something is ripping through farms and families, leaving hollowed-out cattle in its wake. The hunt drags Hudson and his rookie partner, Clark, toward a line of warded iron and a one-room church that should have stayed buried.
THE EXTERMINATOR: 1834
In moonlit Marseille, men are found dead on the shore, tongues missing, black water in their lungs, and panic spreading through the city. To contain the horror, the Church sends Catherine Deschamps, a sharp and relentless exterminator, only for her to collide with Marcus Fetch, a rogue druidic exterminator guarding the city from the shadows. Forced into an uneasy alliance, they pursue a deadly sea-born predator known as Aïcha, uncovering a deeper war of ancient bloodlines, secret orders, and powers that have shaped history from behind the veil.
THE EXTERMINATOR: Blood in the Snow
Six months after the events in Louisiana, Hudson Dubois has not stopped hunting Malakai.
Safehouses have burned. Informants have vanished. Monsters unlucky enough to get between them have learned exactly why the Dubois name still makes the dark hesitate.
But Malakai is done running.
When he sends killers into the snow, the first message is written in Clark’s blood. What begins as retaliation becomes a trail north through frozen roads, blood rituals, buried church secrets, and a war older than Hudson understands.
Clark’s hidden visions are getting stronger. Bea is uncovering truths the Vatican would rather keep buried. Gordon remains useful, dangerous, and impossible to fully trust. And behind Malakai’s movements, something worse is stirring.
As Hudson pushes deeper into the cold, he begins to realize Malakai may not be fleeing at all. He may be buying time. Gathering pieces. Opening doors.
The hunt is no longer just about stopping one monster.
It is about surviving the next phase of the war.
And every drop of blood in the snow points toward something bigger coming.
THE EXTERMINATOR: Red Vespers
The Exterminator: Red Vespers follows Marcus Fetch after Catherine’s death turns him from a wounded protector into a walking list of names. Haunted by Cern, stalked by Catherine’s memory, and armed with grief sharpened into purpose, Marcus hunts the men who let her die: Valois, Varn, Renard, and finally Vost. Each kill feels like justice at first, then punishment, then something colder, until revenge stops being what Marcus does and becomes what he is. By the time he reaches Vost, the man who began this crusade is almost gone, replaced by a brutal, predictable weapon. Vost kills Marcus, but the horror doesn’t end there. Marcus rises again, gray-blue, silent, rotting, and unfinished. Catherine is dead. Marcus Fetch is dead too. What remains is vengeance with a body.
THE EXTERMINATOR: Trial By Fire
Sixteen-year-old Cornelius Fox Dubois was trained to kill monsters.
Now Vienna has given him his first hunt.
Beneath the city, something is punishing betrayers, leaving bodies posed in confession with ash packed in their mouths.
The locals call it judgment.
Fox knows better.
But the deeper he goes, the more the case points toward a bloodline he was never meant to know.
To survive, he will need more than training.
He will need fire.